네이버 웹툰 웹소설 콘테스트 시작

'제8회 네이버 월드와이드웹소설 콘테스트' '완나 올'은 오는 6월 25일까지 공개·상영될 것으로 보인다.

제8회 네이버 월드 와이드 웹툰과 웹소설 공모전 '워너 올(Wanna All)'의 최종 심사가 오는 6월 25일까지 진행된다. 네이버 웹소설은 오는 4일까지 열리는 The competition 예비 심사에서 본선진출을 위해 100개의 공연을 선정했다. 5일에 걸쳐 선정된 영업소의 상장이 이루어졌다. 

최종 후보자들은 아마도 완전성, 매력, 창조성, 세포 친화성의 네 가지 기준을 충족시키기 위해 25번째와 함께 검토될 것이다. 최종 라운드는 네이버웹사이트소설과 스타일소설 전문 출판사 편집부가 함께 검토할 것으로 보인다. 외부심사는 시즈닝가이드, J+미디어, 테라스 교과서, KW출판사 편집부서를 통해 진행된다. 

독자들은 가장 중요한 기능들을 즐길 수 있고 셀럽에 대한 피드백을 받을 수 있다. 테스트 심사를 통해 공연에 대한 정성평가가 인정(별점수, 다양한 히트, 욕망의 함수량, 피드백 등 제외)과 병행된다. 인기 수준별로 작품을 먼저 걸러내지 않고 인지도와 질적 분석에 초점을 맞춘다. 또 '이전 출시'와 '경쟁력' 기간 중 최근 시작된 의지의 인식이 달라질 수밖에 없는 현실을 고려해 평가가 이뤄질 것으로 보인다. 노출되어 있다. 

네이버 웹소설은 모든 것이 효과가 있을 것이라고 평가하는 방법으로 모든 것이 효과적이라고 평가하고 있으며, 우리는 꼼꼼하고 공정한 심사를 통해 발굴에 부족함이 없도록 최선을 다해 왔다.

웹툰의 시장성과 규모

웹툰 시스템에는 넷플릭스를 비롯해 어느 정도 최고 품질을 보장하는 작품을 골라내는 관문이 주로 담겨 있다. 응모 또는 공모전으로부터 관문 곳곳을 통과한 후에야 경쟁산업에 진출할 수 있다. 그런 말을 했으니 경쟁 시장에 진입하는 순간 그 뒤를 따르는 사람은 아무도 모를 것이다. 넷플릭스가 콘텐츠를 셧다운 방식으로 관리하고 유튜브가 장애물을 빼앗아 자율적인 '경쟁 수준'을 부추긴다면, 많은 웹툰 플랫폼이 선택한 공연을 게이트에서 안쪽에서 경쟁하게 만든다.

기능량 향상에 애를 먹던 플랫폼들이 특정인 크리에이터보다 스튜디오 프로그램을 더 많이 도입하기 시작했다. 웹소설과 웹툰이 탄생하는 원작 무료웹툰에서 IP를 안정적으로 수급할 수 있는 방법을 모색하고 있음에도 불구하고 '이전 인기 IP'를 보유한 작가들은 보다 안전한 창작물을 만들 수 있도록 스튜디오를 만들기 시작했다. 비즈니스의 관점에서는 그것이 개선과 안정의 수단이지만, 특정 창작자의 관점에서는 위기일 뿐이다.

시스템 내부의 경쟁력은 주간 폐업 절차를 설정해 볼륨을 높였다. 보상 수익이 해결됨에 따라, 훨씬 더 많은 부피, 훨씬 더 활기찬 그림, 부가적인 흥미로운 이야기, 그리고 아름다운 캐릭터들을 가져야 하는 웹툰은 개인 창작자들이 더 이상 주간 마감일을 버티기 어렵게 만들었다. 무료웹툰 작가들은 후렴구에서 "데뷔보다 또 다른 모션 그림을 연재하는 게 더 어렵다"고 말한다. 퍼스널 크리에이터가 판돈을 올렸음에도 퍼스널 크리에이터의 진입은 더욱 어려워지기 시작했다. 만약 그 회사가 초공격적인 시장에서 연속된 버전을 공급하지 못한다면, 다른 싱글 앨범을 약속하기 어려울 것이다. 

분명히 경쟁은 효과적인 것이다. 치열한 경쟁자들은 개발에 기여하는데, 그 발전은 다시 공격적이 되는 결과를 낳는다. 그러나 경쟁은 정말로 제거를 위한 도구가 되어서는 안 된다. 기본적으로, 경쟁 수준은 경쟁 수준에 참여하는 많은 사람들에게만 해당되는 단계여야 하며, 참가하지 않기로 선택한 개인이 정확히 어떤 위치에 있는지 검은 간극이 있어서는 안 된다. 예를 들어, 예술가들은 산업 시장과 비상업적 시장, 온라인과 오프라인 시장 중에서 선택할 준비가 되어 있어야 한다. 모든 사람이 하나의 빌트인 부문 안에서만 경쟁해야 하는 부문은 위험하다. 현재의 시장 보안을 위한 개발의 기업가정신은 개인 창조자들이 견뎌낼 수 있는 환경을 제공하지 않을 것이다.

Nuclear sign and life network rather than satire and humor

Eventually, it was over 10 million. The comedy parade, which started laughing at the beginning of the New Year, was from the guy in me that opened on January 9th. The film earned the title of breaking through the first breakeven point (10.5 million viewers) in 2019 on the 12th of its release. An extreme job that inherited its energy, was named to the 10 million movie club. It was only 15 days after the New Year holidays. Ryu Seung-ryong, who had laughed by picking up “I haven't had this taste before, is it ribs or whole chicken?” Unfortunately, he was also the protagonist of the gift of Room 7, which was the only 10 million comedy before.

The comic race continues from February to March. 'Zombie eating vegetables, bitter rejuvenation', a rustic family of zombies, bizarre family,'Mother's rice, pretending to get married' 'This new concept love story Sunkiss Family and others are the main characters. There are also a lot of comedies who are in full swing.

The obvious characteristic of the recently released comedy films is the ‘Byeongmat’ code. There is no context, no outrageousness, no laughter. It doesn't have to be logical or rational. At least it seems to have been determined to be successful if you pull out'smiling'. It is a catharsis of laughter that comes in unexpectedly, and that is enough. Class B sentiment (which significantly threatens the mainstream), which is no longer despised, and thanks to the public spread of consensus. It is a subversion to the norms established by the mainstream and its social crackdown. It works well with attitudes like'I just like this' and'Will you shut up and turn off?'

This internalized neoliberal thinking has long been spread and strengthened through various SNS. If it's only fun for me, it's okay to be coarse, and I'm so used to it that one movie is just light. This is because the intention to laugh quickly and accurately from the beginning interacted with the desire to laugh quickly and accurately from the beginning. Setae, who puts more emphasis on explicit and direct laughter than effort to analyze and judge, has nothing to do with the prolonged economic downturn. A simple psychology of not wanting to squeeze as much as a laugh, and a convenient decision to want to refrain from complicated things. This is reflected not only in terrestrial and cable, but also in real-world rankings of entertainment, entertainment, and variety of “smiling with a bottle of taste” that has been laid down in both online and mobile.

The impatient laughter tempo fits well with the formality and dissolution of the face, which is now because the content infrastructure that is more focused on “provocative laughter” than the “무료 웹툰” was formed. Comedy recently provides texts that will be very useful for social life such as “dog laughs” and “smiling abs”. Even the suspicion that these films are okay to become the mainstream of the box office seems to be broken. The audience is already coming into contact with the comedy ‘Not Careful’ and responding more enthusiastically to ‘nuclear ins and lifespans’ rather than ‘satire and humor’. At least for now, I don't want to be serious enough to ‘comedy dignity’. Is this bad? No, not really!

How to make cartoon or movie

How can I make a cartoon well into a drama or movie?

When you make a cartoon into a drama, you have to keep in mind that the personality of the cartoon has already been dramatized, and you have to be prepared to move it properly. Just drop in the trivial idea of ​​paying royalties by using just a triangular structure. If you can make a funny drama that makes a comic book look like a palace, there is also a simple product that does not expand the fun in a drama like a full house. Some dramas allow you to have a glimpse into the world of man cartoons, like the War of Zheng, and some dramas that make you want to file a lawsuit by making misunderstandings about manga like rivals. The problem is that all the cartoons mentioned here are successful. Also, dramas based on the cartoons have been successful. Nevertheless, the level of how much the original work showed its individuality was different, and some of them ignored the original to the extent that it was called'low quality'. It's time for the conscience and intelligence of Heo Heo, Pidi and the scriptwriter.

If there is a cartoon you want to make into a drama.

How fun it would be if Kwon Kyo-jeong's really real! However, it would be difficult for her submissive yet dull characters to be replaced by visualized actors. What kind of actor can you fill in the character of the main character, ‘A girl with an uncle’s feeling?’ Full House's Eliji was a very dry and tall intellectual feeling, but in reality, it was played by Song Hye-kyo, a white-faced king of the breasts, and like Eun-hye Yoon, who was chubby in the palace, but apparently a skinny female protagonist. It seems that Kwon Kyo-jung's manga will face difficulties from casting at the time when it is not possible. Nevertheless, I would be very happy if one of the Kwon Kyo-jung cartoons was dramatized at this point when I wanted to watch a drama that unfolds a trivial daily life.

Mihye Park (Freelance writer)

After graduating from working as a magazine, she has written countless drama articles, and in the meantime, her efforts to debut as a cartoonist (although she was very lazy) did not stop. I went to a cartoon 토렌트 사이트 reporter and showed him the cartoon I drew and said, “You have to make a lot of money. I have to publish it at my own expense.” Now, I am only focused on watching comics and dramas.

What are some of the best cartoons (or dramas) in Korea and abroad?

The first thing that comes to mind is Taja. It was not recreated in the story of a poorly original work, or a copy of the original work, but recreated with the completeness of the film. I think it's rarely “re-created” among domestic movies or dramas where cartoons are moved. The beauty did not just bring a large setting like a pain, but it properly utilized the original characters and stories, and picked the elements of interest very well. As the best cartoon drama, I would like to pick Damo and Seven Spoons. Damo was dramatic as the development was speedy, and the directing that harmonized action and drama was outstanding. Basically, the original setting was too novel and popular, so it was a very burdensome work, but it was good to focus on the ‘cartoon of a cartoon’. In recent years, the war of Zheng also made well. It's the epitome of a great original-adequate adaptation-nice acting. Japanese drama Nodame Cantabile is also indispensable. The original is also very interesting, but it made the drama so well. Because music is the subject matter, the drama was much better to preserve the feeling of the work.